{"id":25018,"date":"2022-08-17T13:03:20","date_gmt":"2022-08-17T11:03:20","guid":{"rendered":"https:\/\/www.throwup.it\/?p=25018"},"modified":"2022-08-17T13:03:33","modified_gmt":"2022-08-17T11:03:33","slug":"cease-gunz-ho-cambiato-nomi-e-sonorita-come-i-writers-cambiano-tag-per-sperimentare","status":"publish","type":"post","link":"https:\/\/www.throwup.it\/en\/music\/interviews\/cease-gunz-ho-cambiato-nomi-e-sonorita-come-i-writers-cambiano-tag-per-sperimentare\/","title":{"rendered":"Cease Gunz: \u00abI changed names and sounds like graff writers change their tags to experiment\u00bb"},"content":{"rendered":"<h4 class=\"question\">Yo Cease Gunz\u2026 also known as Cesarino, by those who have been following the Milanese underground scene for the longest time! Over the years, in fact, you have changed several names and sounds, but your approach to rap did not change: raw street rap, prolificacy and what we can define as a &#8220;mixtape&#8221; attitude.<\/h4>\n<p><span style=\"font-weight: 400;\">First of all I want to thank you for considering me for this interview, I have never done many in 16 years of RAP. <\/span><span style=\"font-weight: 400;\">So, I made my underground debut as <\/span><b>Cesarino<\/b><span style=\"font-weight: 400;\"> in the &#8220;<\/span><b>GAME OVER<\/b><span style=\"font-weight: 400;\">&#8221; mixtape by <\/span><b>Jack The Smoker<\/b><span style=\"font-weight: 400;\">. In 2011. Immediately after some time I changed it to <\/span><b>Cease<\/b> <b>Gunz<\/b><span style=\"font-weight: 400;\">.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The constant change of &#8220;street names&#8221; was just due to the sound change I gave to each record, a bit like the Milanese graff writer RAE REALE, who often changed tags to experiment his lettering, the attitude was the same but in my case it was purely on a sound level.<\/span><\/p>\n<div class=\"embed-container\"><iframe loading=\"lazy\" title=\"Mandato D&#039;arresto (feat. RollzRois)\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/qAZceVukmhk?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">As for the mixtape attitude\u2026 Well, I grew up with mixtapes in my headphones, from Pete Rock and Marley Marl&#8217;s \u201cFuture Flavas\u201d to Funkmaster Flex tapes up to G-Unit Radio etc etc. <\/span><span style=\"font-weight: 400;\">That stuff for me is like water, I can&#8217;t live without it in my everyday life, so I try to emulate it, without copying clearly.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">I embarked on a more modern sound path in 2012 when I met my brother <\/span><b>Young<\/b> <b>Trex<\/b><span style=\"font-weight: 400;\">, who released an ep with <\/span><b>Gordo,<\/b><span style=\"font-weight: 400;\"> &#8220;<\/span><b>Cotto<\/b><span style=\"font-weight: 400;\"> &amp; <\/span><b>Trappato<\/b><span style=\"font-weight: 400;\">&#8220;: I listened to it on Datpiff and I said to myself &#8220;that\u2019s fire&#8221;, because it was always RAP, but with fresher productions and modern. <\/span><span style=\"font-weight: 400;\">I decided to get myself into it and for quite a few years I released many independent mixtapes with those sounds in free download until the great debut on spotify, in 2018 with <\/span><b>G.Nano<\/b><span style=\"font-weight: 400;\"> we dropped &#8220;<\/span><b>Kartello. <\/b><span style=\"font-weight: 400;\">An LP completely edited by me, with very important international productions: Metro Boomin, 808 Mafia etc. etc.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Due to some quarrels with the manager I contacted for the beats, we had to remove the album from the platforms, and from there a bit of that imaginary collapsed drastically, in addition not being a fan of the Trap environment, not having any kind of contract or musical bond I decided to go back to the origins, then breaks, samples and bars, nothing more simple and cool.<\/span><\/p>\n<div class=\"embed-container\"><iframe loading=\"lazy\" title=\"Cease Mac11 - Farmacia (Produced by. Yayo) Street Video\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/NuQDh8CKXm4?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<h4 class=\"question\">But at what moment and how did your passion for Hip-Hop and your desire to test your skills publicly arise?<\/h4>\n<p><span style=\"font-weight: 400;\">My passion for Rap music was born when I was very young, I went to elementary school, my older brother Andrea was one of the DJs on Friday night at Sio Caf\u00e8, a well-known Milanese club. This was about 25 years ago, he gave me a mastered and mixed compilation from him of the songs he played in the nights. I only listened to one of his tapes for more than a year, in a CD player taken with the points of the Esselunga.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">I remember that some time later, every week with my father we went to the Virgin Megastore in the Duomo and every week I bought 2 records. The first hip hop albums I bought were, &#8220;Wu Tang Forever&#8221;, &#8220;No Limit&#8221; by Snoop Dogg, &#8220;The Chronic&#8221; by Dre, Dj Quik &#8220;Balance &amp; Options&#8221;, &#8220;The Infamous&#8221; by Mobb Deep, Slick Rick &#8220;The Art Of Storytelling \u201d, later my brother burned to disc all the records he had and I discovered: Rakim, Foxy Brown, Az, Nas, Guru.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">At the age of 14, among the hood crew, I heard these 2 guys improvising rhymes and rapping in Italian over instrumental, I was shocked, and instinctively I threw myself in the middle, even if I wasn&#8217;t up to it.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">I recorded my first piece late, at 15 in 2006 with my longtime partner &#8220;Fabie Mangianastri&#8221; with whom I founded the duo &#8220;KILLA BEEZ&#8221;. We recorded in a cellar with the microphone of the PC, that piece is on youtube among others.<\/span><\/p>\n<h4 class=\"question\"><span style=\"font-weight: 400;\">From there it all began, and after the feat on the <\/span><b>Jack the Smoker\u2019s<\/b><span style=\"font-weight: 400;\"> tape I began to believe in it seriously.<\/span><\/h4>\n<p>&nbsp;<\/p>\n<div class=\"embed-container\"><iframe loading=\"lazy\" title=\"JACK THE SMOKER - 04 - TATUAGGIO [feat. CESARINO]\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/8KkP1htIX7k?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<h4 class=\"question\">The themes of street rap in Italy, as well as abroad, are often abused and exaggerated. You, born and raised in the Bonola hood, have always made street rap as your flag, describing, however, actual Milanese street realities, certainly more credible than the American cliches, far from Italy ones. How do you relate to these kinds of street themes? What leads you to focus on talking about certain topics?<\/h4>\n<p><span style=\"font-weight: 400;\">The themes I deal with in my pieces are not invented, they can be fictionalized a bit clearly, like those who make films based on real stories, but there is nothing invented in my lyrics.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">I come from a popular neighborhood, like many others in Milan. At 15 I was already away from home in a juvenile, a family home for minors, because I experienced extreme situations as a teenager. In my crew there were drug dealers, thieves, robbers, addicts and so on and so forth &#8230;<\/span><\/p>\n<p><span style=\"font-weight: 400;\">At that age you absorb what you live outside, certainly not at home with your parents, I have had all kinds of experiences regarding street life and I will tell you with the most total sincerity, in comparison to my friends and people of mine old crew, I was just a half-notch thug, I was arrested several times for serious and less serious crimes and definitively sentenced to 3 years in prison, thanks to settlements and legal loopholes.<\/span><\/p>\n<div class=\"embed-container\"><iframe loading=\"lazy\" title=\"CESARINO AKA CEASE GUNZ - 06 - TERROR BOMBS FEAT. LOUIS DEE\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/MQ42qdA-Dqo?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">Mine is not a boast, but it is a fact and an element that I cannot and do not want to hide. I&#8217;m certainly not proud of my past, but no one can stop me from throwing all this into my lyrics.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Rap as I see it is a life experience lived in first person, my detailed way of describing street life and why I tasted a lot of it, compared to many of my colleagues who travel with the imagination or denigrate my contents because they think they are made up.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">I don&#8217;t have to justify myself to anyone, those who know me know, those who don&#8217;t know me can only blather!<\/span><\/p>\n<div class=\"embed-container\"><iframe loading=\"lazy\" title=\"Mexican Standoff (feat. Terrasanta)\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/3SI2obKvCyY?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<h4 class=\"question\">Aren&#8217;t you afraid that this kind of lyrics are now inflated and therefore of being taken for one of the many Italian rap clones or clowns? And what do you think makes the difference when a rapper talks about the streets, what makes him credible and what makes him a valid rapper, worthy of attention, in a sea of \u200b\u200bclones?<\/h4>\n<p><span style=\"font-weight: 400;\">I&#8217;m 32 years old and I&#8217;ve spent half of my life on the street, Gangsta rap doesn&#8217;t exist in Italy! Those who rap about guns and kilos often, don&#8217;t even know how a real gun is made and even if I knew what it means to have a firearm it does not necessarily mean that I have to say shit in a song. <\/span><span style=\"font-weight: 400;\">I think I am one of the only ones in Italy who has not invented my lyrics. Only if you know something about street life, you can get it in the lyrics of a rapper if he is a \u201cbla bla\u201d or if he is a real one.<\/span><\/p>\n<p>&nbsp;<\/p>\n<div class=\"embed-container\"><iframe title=\"Spotify Embed: RICH PORTER\" style=\"border-radius: 12px\" width=\"100%\" height=\"152\" frameborder=\"0\" allowfullscreen allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/track\/4EjdfLxeHyigT85utPBjPJ?utm_source=oembed\"><\/iframe><\/div>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">A lot of people say &#8220;those who are really street, don&#8217;t say it in the songs&#8221;. This is a great bullshit, said by people who know absolutely nothing about RAP and STREETS: people like Prodigy Mobb Deep (RIP) like Rakim or JAY Z , they have always mastered street lyrics, but if you do it in Italy you are a clown and this reasoning applies only to some and not to others.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">For example as concerns Gu\u00e8 (Gu\u00e8 Pequeno is a well known italian rapper. ed\u2019s note): It is known that he did not grow up in the hood or that he never had money problems, he always projected in the texts what he saw around him and what his friends did, a bit like those of the Milan\u2019s upper-class who go around with the thugs from the hood to feel part of that world.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">I&#8217;m not afraid of being a clone, because I do it my way and nobody can undermine my credibility, neither in the underground nor in the mainstream.<\/span><\/p>\n<div class=\"embed-container\"><iframe loading=\"lazy\" title=\"Articolo 73\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/GW4ECLTzhek?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<h4 class=\"question\">You released a few months ago \u201cPizza Connection\u201d and soon you will come out with \u201cPizza Connection 2\u201d and in both projects you have collaborated with Italian and international &#8220;street lyricists&#8221; of the underground scene, equipped with great pens and an attitude similar to yours as Lil Pin, Terrasanta, Dro Pesci, Willie Stubz, Maku Go, Dafa and many others. How were these projects born and what bonds do you have with the rappers you collaborated with?<\/h4>\n<p><span style=\"font-weight: 400;\">The collaborations were born for mutual esteem and personal and artistic respect, Italo (<\/span><b>Lil Pin<\/b><span style=\"font-weight: 400;\">) and I already collaborated 10 years ago, and we also found ourselves in some track together in various tapes, so there was already some respect and a great understanding also on a musical level, in addition to the fact that for me PIN is the top rapper in Italy and the only Italian rapper that I consider clearly stronger than me.<\/span><\/p>\n<div class=\"embed-container\"><iframe title=\"Spotify Embed: Pizza Connection\" style=\"border-radius: 12px\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/album\/00NaF9WWue59I0xNNNTEnT?si=bQnJsApJSzq_S73HkTgVew&#038;utm_source=oembed\"><\/iframe><\/div>\n<p>&nbsp;<\/p>\n<p>With Willy (Willie Stubz) we met on Instagram because I wanted to make bars on an old beat of his and from that moment a friendship was born. An ep will be released with him soon.<\/p>\n<div class=\"embed-container\"><iframe loading=\"lazy\" title=\"Queensbono (feat. Willie Stubz)\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/E13zX_O4zPw?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">With <\/span><b>Dro Pesci<\/b><span style=\"font-weight: 400;\"> the same thing, with MAKU (<\/span><b>Maku Go<\/b><span style=\"font-weight: 400;\">) there is a great respect and a great friendship, he discovered my stuff and from there we started to collaborate because he appreciated and I also think he fully understood my stuff.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">With <\/span><b>Dafa<\/b><span style=\"font-weight: 400;\"> , same\u2026We met at a few events in Turin and I asked him for a collaboration for this project and he gladly accepted.<\/span><\/p>\n<div class=\"embed-container\"><iframe loading=\"lazy\" title=\"Mariana (feat. Maku Go)\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/qHsJIk0Lh-U?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<h4 class=\"question\">You also produced most of the beats. What can you tell us about your side as a producer, certainly less well known? How long have you been producing?<\/h4>\n<p><span style=\"font-weight: 400;\">I&#8217;ve always made beats! Actually I started at 17 y.o. with FL STUDIO, initially using the sounds that were already inside the software, while for the drums I used the packs of Alchemist, 9th wonder, Just blaze etc&#8230; <\/span><span style=\"font-weight: 400;\">Since 2020 I have been producing with Ableton even if shortly returning to FL.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">I hardly work with producers right now other than my close collaborators like <\/span><b>YODHA<\/b><span style=\"font-weight: 400;\"> and <\/span><b>Fear<\/b><span style=\"font-weight: 400;\">, so I produce myself, as I did back then when I went to record at Jack The Smoker studio. <\/span><span style=\"font-weight: 400;\">Now for the most part I produce everything by myself, to give the right feeling to my lyrics<\/span><\/p>\n<h4 class=\"question\">Top 5 producers and rappers you dream of collaborating with?<\/h4>\n<p>Roc Marciano both as a producer and as a rapper. Daringer, Alchemist, Just Blaze, Rza, Q-Tip, Method Man, Conway The Machine, Stove God Cooks, Prodigy &amp; Havoc, surely if I had to choose I would choose them<\/p>\n<h4 class=\"question\">We have already talked about your mixtape approach.. Do you think you will focus, sooner or later, on making a full-length album?<\/h4>\n<p><span style=\"font-weight: 400;\">In an album as I see it, there would be too many contents to be included and a logical thread should be followed and as I see my path, I have not yet lived a good part of life experiences to be able to make a real album. <\/span><span style=\"font-weight: 400;\">Life must be lived at 360 \u00b0 to be able to best tell a set of things that must be told in the pieces of a real album, if God wills, in a few years maybe I will come out with a real album.<\/span><\/p>\n<p>&nbsp;<\/p>\n<div class=\"embed-container\"><iframe loading=\"lazy\" title=\"CESARINO AKA CEASE GUNZ - 05 - CAN&#039;T FUCK WITH... FEAT. LIL PIN, DJ YODHA &amp; JACK THE SMOKER\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/8dq17XEXGjA?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<h4 class=\"question\">What are you working on now?<\/h4>\n<p><span style=\"font-weight: 400;\">This summer I won\u2019t release anything! Pizza Connection 2 was supposed to come out but I have to do it all over again. I will release a mixtape of mixed music, remixes, unreleased and freestyle music on SoundCloud named <\/span><b>B.BLOCK CINEMA<\/b><span style=\"font-weight: 400;\">.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">From September I will start releasing projects again, in the pipeline there is the project with <\/span><b>TEYO<\/b><span style=\"font-weight: 400;\">, a producer of <\/span><b>Primo Profit<\/b><span style=\"font-weight: 400;\"> and <\/span><b>Manteca crew<\/b><span style=\"font-weight: 400;\">, then I have an EP with <\/span><b>Tosses<\/b><span style=\"font-weight: 400;\"> in the works, the album with <\/span><b>YODHA<\/b><span style=\"font-weight: 400;\"> in progress, and the project with <\/span><b>KENNEDY PARABELLUM<\/b><span style=\"font-weight: 400;\"> practically finished and to be mixed.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The project with <\/span><b>Kennedy<\/b><span style=\"font-weight: 400;\"> is the work I&#8217;m giving the most importance to, as one of my biggest dreams was to work with him on something.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Having now a wife and kids is my number one priority, stuff will come out much slower than before, but it will all come out between 2022 and 2023.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>We exchanged a few words with Cease Gunz a.k.a Cesarino, an Italian rapper who has been spitting rhymes in the Milan underground scene for more than a decade. He explained to us about his constant change of street names, his mixtape approach, why the streets remain the focus of his Rap, his latest projects and the many collaborations with the Italian underground scene<\/p>\n","protected":false},"author":1,"featured_media":25012,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[104],"tags":[],"class_list":["post-25018","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-interviews"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.6 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Cease Gunz: \u00abI changed names and sounds like graff writers change their tags to experiment\u00bb - Throw Up Magazine<\/title>\n<meta name=\"description\" content=\"We exchanged a few words with Cease Gunz a.k.a Cesarino, an Italian rapper who has been spitting rhymes in the Milan underground scene for more than a decade. 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