{"id":34925,"date":"2025-12-15T16:14:45","date_gmt":"2025-12-15T15:14:45","guid":{"rendered":"https:\/\/www.throwup.it\/?p=34925"},"modified":"2025-12-15T16:15:41","modified_gmt":"2025-12-15T15:15:41","slug":"067red-discusses-his-last-album-and-why-he-covers-his-face-the-interview","status":"publish","type":"post","link":"https:\/\/www.throwup.it\/en\/music\/interviews\/067red-discusses-his-last-album-and-why-he-covers-his-face-the-interview\/","title":{"rendered":"067RED discusses his last album and why he covers his face. The Interview"},"content":{"rendered":"<h4 class=\"question\">Peace bro. Your name is new to the underground scene. Our good brother 1000Words put us onto you and we were immediately impressed by your music. Whether it&#8217;s your sound or the names featured on your latest project (RED SHOT MY PORSCHE WINDOW), we were surprised to read that you&#8217;re from Los Angeles&#8230;which made us even more curious. Are you a Los Angeles native or did you move there? Tell us something about your personal story: where exactly did you grow up and how did the place shape you both as a person and musically?<\/h4>\n<p><span style=\"font-weight: 400;\">I\u2019m from a small town in Los Angeles County \u2014 not the flashy side people picture. I\u2019ve been all over LA my whole life, so the city raised me in pieces. The funny thing is, growing up out here you don\u2019t really get a crazy variety of music. You get what\u2019s around you, and for me that meant a lot of G-Funk. I was heavy into Kurupt and the whole Dogg Pound era, and that ended up being a doorway into East Coast music for me. So my influences became this weird blend of textures and grit.<\/span><\/p>\n<div class=\"embed-container\"><iframe loading=\"lazy\" title=\"Red Only Loves His Mask Pt3 Out Now! #musicvideo #newmusic #nowplaying #outnow #viralvideo\" width=\"422\" height=\"750\" src=\"https:\/\/www.youtube.com\/embed\/AWmpdRy9oV4?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<h4 class=\"question\">When and how did you get into music? And when did you start rapping? If we&#8217;re not mistaken, you also produce beats: what can you tell us about this side of your musicality? Why did you decide to produce beats as well?<\/h4>\n<p><span style=\"font-weight: 400;\">I got into music around my freshman year of high school. A couple friends of mine were in bands, and one of them started making beats and recording. It turned into something we did almost every day. From there I taught myself everything \u2014 recording, mixing, mastering \u2014 just figuring it out as I went. I\u2019ve been doing that part for about eight years now.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Producing beats is newer for me. I tried it in the past but never had the patience. Then last September I locked in and forced myself to really learn it. So I\u2019ve only been producing for about a year and some change. The main reason I started was control \u2014 I wanted to rap over something that felt like me, not just whatever was available. Once I dialed in on that, everything started to click.<\/span><\/p>\n<h4 class=\"question\">Is there someone or something in particular that pushed you to pursue a path in music? And what are your main influences, both as a rapper and as a producer?<\/h4>\n<p><span style=\"font-weight: 400;\">It sounds clich\u00e9, but hearing <em>Illmatic<\/em> for the first time in middle school really pushed me toward making music. Me and the homie listened to it front to back, and that was the moment I realized I wanted to do this for real. Starting out with friends \u2014 and still having those same people around \u2014 kept me going too.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">My influences come from a lot of places. As a rapper, it\u2019s the classic stuff: Nas, Kurupt, that whole era. As a producer, it\u2019s a mix of textures, moods, and little details I pick up from everywhere. I pull from painters, architects, filmmakers \u2014 people who create but don\u2019t use words to express anything. That type of inspiration hits me more than anything. It makes me want to keep building and keep pushing my sound forward.<\/span><\/p>\n<p>&nbsp;<\/p>\n<div class=\"embed-container\"><iframe loading=\"lazy\" title=\"MINIGUN\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/S9IqHspQt9s?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<h4 class=\"question\">There&#8217;s a strong jazzy imprint in your beats, which connects you to a certain tradition and style of production tied to this type of sampling. Where does this love for jazz and samples come from? And what strikes you about a sample?<\/h4>\n<p>My love for jazz and samples kind of came naturally. Jazz has its own language, its own way of breathing, and I\u2019ve always been drawn to that. A lot of producers avoid jazzy samples because they think it\u2019s too simple or too soft, but to me it leaves space \u2014 space for rhythm, space for texture, space for the voice.<\/p>\n<div class=\"embed-container\"><iframe loading=\"lazy\" title=\"HE DIDNT PAT ME DOWN\ud83e\udee1 #rap #newalbums #drumlessbeats #hiphop #outnow #067RED #newrap #flstudio\" width=\"422\" height=\"750\" src=\"https:\/\/www.youtube.com\/embed\/mt_v9tkgxSI?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<p>I\u2019m still early in my journey as a producer, so I\u2019m constantly learning how to shape those sounds. Before I ever made beats, I wasn\u2019t the type who needed loud drums or big snares. I liked things that felt loose, that had air in them. Hearing artists like Roc Marciano really helped me understand that the voice is the main instrument, and everything else should move around it. That idea stuck with me.<\/p>\n<p>What grabs me in a sample is rhythm \u2014 not just being on-beat, but how the beat feels. Growing up out here, you hear rappers like E-40 or the whole Bay scene rapping ahead of the drums or in front of the snare. That off-kilter style always felt fire to me. Jazz is the same way: it\u2019s on time, but also not really on time. I try to blend that feeling into my production. That\u2019s where my sound comes from \u2014 that mix of swing, space, and controlled chaos.<\/p>\n<div class=\"embed-container\"><iframe loading=\"lazy\" title=\"HAROLD MELVIN SUBMACHINE LOADING SCREEN\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/GeyYhdSjxpY?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<h4 class=\"question\">Can we ask what you did\/do in life when you&#8217;re not making rhymes or beats?<\/h4>\n<p><span style=\"font-weight: 400;\">When I\u2019m not making music, I\u2019m usually working on film. I\u2019m really into foreign films and older cinema, so I shoot all my own content and I\u2019m always writing \u2014 pilots, short pieces, little scenes. Creative writing is kind of the other side of what I do. It\u2019s the one place where I don\u2019t overthink anything. Outside of that, I\u2019m just with the homies, at the store, or out moving around the city. But most of my time goes into film and writing. It\u2019s all connected to the music in some way.<\/span><\/p>\n<h4 class=\"question\">Where does 067Red come from? What&#8217;s the story behind the name?<\/h4>\n<p>It\u2019s not as glamorous as people probably think. \u2018067\u2019 was just a locker combination I had as a kid, and it stuck with me. I used it for a lot of things growing up, so it became a part of my identity without me even trying. \u2018RED\u2019 is my favorite color and the energy I\u2019ve always connected with. But it also carries weight for me \u2014 a very close friend of mine who passed away had an album called RED. So when the name came together, it felt like one of those things that happens for a reason. A piece of my past and a piece of her, all in one.<\/p>\n<h4 class=\"question\">Let&#8217;s talk about RED SHOT MY PORSCHE WINDOW: first of all, how did the title come about? And how did this project come together? What inspired you in writing the tracks and what story or message did you want to tell and convey?<\/h4>\n<p><b>RED SHOT MY PORSCHE WINDOW f<\/b><span style=\"font-weight: 400;\">elt like my first real album. I\u2019ve put out music before, but this one was different \u2014 it was my arrival piece. I wanted something that introduced me to the underground in a way that was jarring, direct, and a little uncomfortable. The title comes from that feeling. It\u2019s chaotic, it\u2019s abrupt, it hits you the same way the opening track does. This project was made right after I locked in to learn how to produce. Most of the beats on the album are from the first fifty I ever made. I was still figuring things out \u2014 the textures &amp; the space \u2014 but that rawness became part of the identity of the record. It\u2019s literally me learning in real time.<\/span><\/p>\n<div class=\"embed-container\"><iframe title=\"Spotify Embed: RED SHOT MY PORSCHE WINDOW\" style=\"border-radius: 12px\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/album\/1wOiUfeDij8Dip0XOjnYX6?si=lkuccsKrT6ScYJEPVK8N9g&amp;utm_source=oembed\"><\/iframe><\/div>\n<p>&nbsp;<\/p>\n<p>When it comes to writing, I don\u2019t sit down waiting for inspiration. I\u2019m always writing, but I don\u2019t force anything. I\u2019ll live with a beat for a while, see what it\u2019s saying, and move from there. The songs came together through that process \u2014 spending time with the music, letting it talk first, and building around that energy. So the album doesn\u2019t have one big message. It\u2019s more of an introduction to who I am creatively. A mix of everything that inspired me, everything I was learning, and everything I wanted to prove with my first real statement.<\/p>\n<h4 class=\"question\">The project was executively produced by 1000Words. What&#8217;s your relationship and how did you two meet? Why did he choose to support you? What kind of creative direction did he give you on the project? And in general, what advice or vision does he share with you? What did he tell you about this project and your music in general?<\/h4>\n<p><span style=\"font-weight: 400;\">Me and<\/span><b> 1000Words <\/b><span style=\"font-weight: 400;\">met through the<\/span><b> Sam Buck <\/b><span style=\"font-weight: 400;\">podcast universe \u2014 the whole Sam Buck livestream community. He guest-hosts the stream with Sam, and Sam goes live where you pay a little and get your songs played. And honestly, it\u2019s a top-notch community. Real culture, real people, real feedback. It\u2019s the best one I\u2019ve ever been part of.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">I started sending songs in, and <\/span><b>1000Words<\/b><span style=\"font-weight: 400;\"> liked them, <\/span><b>Sam<\/b><span style=\"font-weight: 400;\"> liked them, the community showed love \u2014 it was all real genuine support. After a while, <\/span><b>1000Words<\/b><span style=\"font-weight: 400;\"> reached out, we talked, and it all just clicked. I\u2019ve met a lot of people doing this rap stuff, but he\u2019s the most genuine person I\u2019ve come across. That\u2019s my brother for real. None of this would be possible without him.<\/span><\/p>\n<div class=\"embed-container\"><iframe loading=\"lazy\" title=\"SHE PRONOUNCES PORSCHE FUNNY\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/GTCBILjjFb4?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<p><span style=\"font-weight: 400;\">When I showed him the album, he loved it. From there we put the special sauce on it \u2014 he helped shape it, helped get the features, played the music for people, and really cared about the project. And that matters, because he\u2019s not somebody sitting behind a desk pretending to know culture. He\u2019s in the field, he knows what\u2019s going on, and he only puts his name on things he truly stands by. I think he saw something special in it, something worth building on. And that makes it even more meaningful \u2014 especially with the whole East Coast\/West Coast connection, since I\u2019m not over there and he is. His guidance, his ear, and all the knowledge he\u2019s gained from working on so many great projects made his role as executive producer even more important. I hope that covers everything.<\/span><\/p>\n<h4 class=\"question\">We found the beats production very beautiful: drumless and sample-based, but with consistency from the first to the last track. Who produced the tracks? Are all the productions yours or did you collaborate with other beatmakers?<\/h4>\n<p><span style=\"font-weight: 400;\">I appreciate that for real. Like I said, I produced every track on the project except two. <\/span><b>\u2018World Series MM6<\/b><span style=\"font-weight: 400;\">\u2019 with <\/span><b>Estee<\/b> <b>Nack<\/b><span style=\"font-weight: 400;\"> was produced by <\/span><b>Dizzy Saffron<\/b><span style=\"font-weight: 400;\">, and the last track, \u2018<\/span><b>She Pronounces Porsche Funny<\/b><span style=\"font-weight: 400;\">,\u2019 was produced by <\/span><b>Izaiah<\/b> <b>Bleu<\/b><span style=\"font-weight: 400;\">. I\u2019ve had a long relationship with both of them, but Izaiah I\u2019ve known the longest \u2014 he\u2019s been a close friend for years, a great producer and artist. <\/span><b>Dizzy<\/b><span style=\"font-weight: 400;\"> is someone I came across more recently, in the last few months, and he\u2019s already done about four joints for me. He sent me a pack of beats, I went through it, and that one stood out immediately. I\u2019m not usually the type to rap on drumless stuff, so it was a good pace change and a little challenge too. I\u2019m glad we got <\/span><b>Nack<\/b><span style=\"font-weight: 400;\"> on it \u2014 he went crazy.<\/span><\/p>\n<div class=\"embed-container\"><iframe loading=\"lazy\" title=\"WORLD SERIES MM6 (feat. ESTEE NACK)\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/RyG5I50c9Ec?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<h4 class=\"question\">On the project we also find Borirock, Estee Nack and BeenOfficialLord. We imagine 1000Words connected you with them&#8230; How did these collaborations come about and what feedback did they give you on the album?<\/h4>\n<p><span style=\"font-weight: 400;\">Yeah, <\/span><b>1000Words<\/b><span style=\"font-weight: 400;\"> definitely played a big part in those collaborations. He either connected the dots directly or played the music around the right people. Everyone involved heard the album months before it came out, and the reaction was all love. They liked the sound, they liked the direction, and they were down to get on the records. A lot of the songs were already in motion before the features happened \u2014 me, 1000Words all were figuring out who would fit where. Once the features lined up, everybody delivered exactly what the tracks needed.\u00a0<\/span><\/p>\n<div class=\"embed-container\"><iframe loading=\"lazy\" title=\"THEY HAD TO WALK ME OUTTA PRADA (feat. BORIROCK)\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/B8GZFkxJ8b8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<p><b>Borirock, Estee Nack, BeenOfficialLord<\/b><span style=\"font-weight: 400;\"> \u2014 they all went crazy. The support they showed meant a lot too. These are artists with their own lanes, their own movements, so for them to not only get on the songs but also show love to the project as a whole was dope. It made the whole thing feel like a real moment.<\/span><\/p>\n<h4 class=\"question\">The album artwork immediately caught our attention. Who created it and what&#8217;s the concept behind it?<\/h4>\n<p><span style=\"font-weight: 400;\">Yeah, so the artwork was done by <\/span><b>Tony Caves<\/b><span style=\"font-weight: 400;\"> \u2014 shout out<\/span><b> Tony Caves (@tonycaves)<\/b><span style=\"font-weight: 400;\">. He went crazy on it and really brought the whole situation to life. I couldn\u2019t have asked for anyone better to handle it. The way it came together was pretty natural. All the albums I have on my Untitled are concept photos tied to whatever project I\u2019m working on. I had this photo from The Replacements \u2014 if you\u2019ve never seen that movie, you should, it\u2019s amazing \u2014 and <\/span><b>1000<\/b><span style=\"font-weight: 400;\"> saw it and was like, \u2018This is dope, we should use this.\u2019 And it just fit perfectly with the title <\/span><b>RED SHOT MY PORSCHE WINDOW. <\/b><span style=\"font-weight: 400;\">So we locked in, Tony did his thing, and the rest is history.<\/span><\/p>\n<h4 class=\"question\">Have you released other projects before this one\u2026 Which one would you suggest to our readers that like \u201cRSMPW\u201d?<\/h4>\n<p><span style=\"font-weight: 400;\">I\u2019ve released other projects before this one, yeah. Honestly, you can listen to all of it \u2014 it all feels like a story leading up to <\/span><b>RED SHOT MY PORSCHE WINDOW<\/b><span style=\"font-weight: 400;\">. But the last project I dropped before this was<\/span><b> It Happned in the Park.<\/b><\/p>\n<h4 class=\"question\">We won&#8217;t deny that we heard the influence of &#8220;early&#8221; Westside Gunn on this record\u2014and for us that&#8217;s a positive thing: the choice of beats, the covered face, something in the tone as well. Is it coincidental or was WSG&#8217;s influence actually decisive on your style? Do you think this could somehow penalize or limit you? And what makes your music unique and your style original in your opinion?<\/h4>\n<p><span style=\"font-weight: 400;\">I\u2019m not gonna lie, I\u2019m actually glad y\u2019all asked this so I can get it off my chest once and for all: I do not sound like Westside Gunn. I listen, sure\u2014I look up to the greats, the people who pushed the sound forward. But I\u2019m not trying to imitate him, and I\u2019m not shaping my voice to be like anybody else. This is literally my regular speaking voice. I\u2019ve always had a higher-pitched tone; I don\u2019t have a deep voice, I\u2019m not modulating anything. And the people who work with me\u2014producers on this last album, artists who vouch for me, even folks in his circle\u2014none of them think I sound like him. Thousand doesn\u2019t think I sound like him. The people around him that rock with me don\u2019t think I sound like him. So at that point, I think it\u2019s just two artists who have good taste in beats and both happen to have higher voices. That\u2019s really where the comparison stops.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">From a writing standpoint, stylistically, I don\u2019t think we\u2019re doing the same thing either. If anything, the more someone listens, the more they hear the separation. And I don\u2019t feel penalized by the comparison at all\u2014I feel like I\u2019m doing well, things are moving, people are connecting with the music. If anything, I take it as a compliment that the quality is high enough for folks to even mention us in the same sentence. But in no way, shape, form, or fashion am I trying to imitate. Everything I\u2019m doing is from my own influences, my own experiences, my own approach to crafting the art\u2014how I place my easel, you know what I mean? It\u2019s a whole different thing.<\/span><\/p>\n<h4 class=\"question\">Is the choice to keep your face covered aesthetic, symbolic, or is there a more personal reason? How important is it for you to maintain a certain aura of mystery?<\/h4>\n<p><span style=\"font-weight: 400;\">It\u2019s not for show, and I\u2019m not doing it to be mysterious. I\u2019m not trying to be the masked guy or anything like that. The truth is, as much as I love filmmaking, I don\u2019t like being in front of cameras. I\u2019ve always been more comfortable in the background. If I can make the art the way I want without having to be the face of everything, that\u2019s perfect for me.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">My music can feel luxurious at times, but that\u2019s all personal to me \u2014 those are moments of my life, the work I put in, the things I value. It\u2019s not about appearances or trying to build some character. It goes back to the Doom philosophy: listen to the music first. That\u2019s what matters to me. I want the music to live on, not people focusing on what I look like or turning that into the story. The mask just helps keep the attention where it belongs.<\/span><\/p>\n<div class=\"embed-container\"><iframe loading=\"lazy\" title=\"A KNOWN UNKNOWN PROD BY ME OUT NOW ON ALL STREAMING PLATFORMS #musicvideo #rap #musicapp #hiphop\" width=\"422\" height=\"750\" src=\"https:\/\/www.youtube.com\/embed\/N69goPxHnIY?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<h4 class=\"question\">What are your plans for the future and your next moves? Do you already have new material in the works? Is there anyone in the underground scene who inspires you with how they&#8217;re working? And what kind of path would you like to follow to carve out your space in this highly competitive environment?<\/h4>\n<p><span style=\"font-weight: 400;\">Yeah, the next move is the same as the last one: stay focused and keep working. I just want to keep dropping, keep getting better, and keep climbing. That\u2019s really the whole plan. I\u2019ve got a lot of new material on the way \u2014 a lot. I\u2019m excited for people to hear it, and I hope everyone enjoys what\u2019s coming next. As far as the underground, there\u2019s a lot happening that I like. Shout out <\/span><b>Figgerson<\/b><span style=\"font-weight: 400;\"> and the whole <\/span><b>Bucked<\/b> <b>Up<\/b> <b>Podcast<\/b><span style=\"font-weight: 400;\"> world \u2014 that community stays working every day. And of course <\/span><b>Bodhi<\/b><span style=\"font-weight: 400;\">, <\/span><b>BeenOfficialLord<\/b><span style=\"font-weight: 400;\">, everyone who was part of this project. There\u2019s so many dope artists right now. People say rap is dead, but I don\u2019t see it at all. If anything, everyone is working harder than ever.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">I don\u2019t think too much about the competition. As long as I keep being myself \u2014 as clich\u00e9 as that might sound \u2014 I can\u2019t really lose. If I stay true to my lane and keep building, everything else will line up. It\u2019s just a matter of time.<\/span><\/p>\n<div class=\"embed-container\"><iframe loading=\"lazy\" title=\"ICRASHEDTHEJAG (feat. BeenOfficialLord)\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/85IfoZFo2IA?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>From the underground scene of L.A. county, 067RED is trying to emerge bringin\u2019 a sound that blends jazz samples, drumless loops and G-Funk influences. With &#8220;RED SHOT MY PORSCHE WINDOW&#8221; his last album, executive produced by 1000Words, 067RED presents his vision over jazzy samples and features from Estee Nack, Borirock &#038; more. Between the love for cinema and a philosophy inspired by MF DOOM, 067RED builds his artistic identity, keeping his face covered just to let the music talk. Read the interview.<\/p>\n","protected":false},"author":1,"featured_media":34923,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[104],"tags":[],"class_list":["post-34925","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-interviews"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.6 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>067RED discusses his last album and why he covers his face. The Interview - Throw Up Magazine<\/title>\n<meta name=\"description\" content=\"From the underground scene of L.A. county, 067RED is trying to emerge bringin\u2019 a sound that blends jazz samples, drumless loops and G-Funk influences. With &quot;RED SHOT MY PORSCHE WINDOW&quot; his last album, executive produced by 1000Words, 067RED presents his vision over jazzy samples and features from Estee Nack, Borirock &amp; more. Between the love for cinema and a philosophy inspired by MF DOOM, 067RED builds his artistic identity, keeping his face covered just to let the music talk. 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