ACE SL: «My mindset is purely Hip-Hop, I am Hip-Hop!»

Peace Brother and thank you for your time to dedicate us!!! Let’s start with your roots. You grew up in Brooklyn—specifically Brownsville—a neighborhood with a legendary but notoriously gritty history. How did those streets, that environment, and that mindset shape not only the raw texture of your sound, but your entire outlook on life?

Peace, and first and foremost, thank you for allowing the time and platform to express myself and offer people a deeper understanding of who I am, both as a man and an artist. Growing up in Brownsville, more specifically Ocean Hill, Brooklyn, during the late ’80s and early ’90s, was far from a cakewalk, and even further from anything sweet. I came up during the crack era, when my community was heavily impacted by addiction, violence, and destruction. Seeing crack vials on the ground and witnessing the harsh realities of the streets became a part of my everyday life. Ocean Hill played a major role in shaping my character and my sound. My music is gritty and unfiltered, yet heartfelt and introspective, driven by emotion, logic, and real-life experiences. I’m not creating a character or selling an image, I’m expressing a reality I’ve lived and am still to an extent living in.

Growing up in Brownsville taught me the importance of awareness, accountability, and moving with intention. That uncertainty gave me a different perspective on life, one that continues to influence how I think, move, and create. Times change, people move on, and circumstances evolve, but certain lessons never expire. Ocean Hill is more than where I’m from; it’s my foundation, my identity, and the source of much of my perspective. Brownsville helped shape my music which reflects my reality, my pain, the grit, wisdom, and all around the humanity that still exist within.

How, when, and through whom did you transition into taking rap seriously and locking yourself in the studio to record? Was there a pivotal moment when you realized this wasn’t just a side hustle or a hobby anymore, but a true calling?

Great question. Taking rap seriously started with believing in myself and recognizing the potential of my talent. I’d trace that transition back to around 2010, when I was heavily involved in the streets, but equally immersed in graffiti and art. Those experiences, both good and bad, exposed me to different worlds and perspectives that ultimately shaped my approach to music.

I always had a way with words, in fact, I was a six-time spelling bee champion growing up, so wordplay was always in my DNA. When people already working professionally in music began acknowledging my lyrical ability, I realized I had something worth pursuing. Beyond the bars, my strength was storytelling. I brought a perspective that felt fresh while staying rooted in hip-hop’s foundation, and that authenticity helped distinguish me and earn respect among my peers.

As for motivation, my people were just as important as any artist who influenced me. If I’m keeping it a hundred grand, Notorious Brooklyn Team was the battery in my back. We had the city’s attention at one point and that momentum gave me the confidence to step forward, kick the door open, and begin carving out my own lane in hip-hop.

Is there a back story behind the name “Ace SL”? How did it come about, and what does it represent for you today?

Ace SL carries a few meanings, but the most important is the acronym: Always Cherish Every Second Living. The message speaks for itself; life moves fast, and every second counts. As for “Ace,” it represents being sharp, witty, and charismatic qualities I’ve always identified with. My birth name also starts with an “A,” so the name felt natural, like it was already written. The “SL” comes from one of my favorite automobiles, the Mercedes-Benz SL 500, a symbol of timeless class and performance. But SL also has another meaning tied to a certain Giant, but I’ll leave that one for later in the interview. Some things are better revealed when the time is right.

You recently dropped your latest project, Peridot. How did this album come together, and in terms of personal and sonic maturity, what sets it apart from your earlier work? What is the significance behind the title?

Peridot came to me naturally. For those unfamiliar, it’s the birthstone for August, making it fitting for me as a Leo. But beyond the symbolism, this album represents my evolution as both an artist and a man.

My debut album F.M.T.Y (From Me To Youth) was about getting my foot in the door. My sophomore album Piece of Mine taught me the business side of music, with my brothers Buds and Tru Comers playing a major role. My junior album Hallowed Be Thy Name was produced entirely by my brother Karbine in which helped me find the sound I’d long been searching for. Peridot is my Senior album, my graduation point, from boy to man or as I’d like to say “from potential to Purpose.”

At this stage in my life, I want to make music that goes beyond dope beats and clever bars. I want people to relate, learn, and grow with me. As a man in my 30s, I can’t keep the conversation limited to guns and drugs when there’s a whole world beyond the block, including 600 thread count sheets that some people have yet to experience. Street knowledge and worldly knowledge can coexist, and Peridot proves that understanding. Sonically, I wanted to explore new territory without losing my essence, and records like “Money Man” and “Seen It All” capture that balance. The mission is keep my roots intact while expanding the vision.

What was the creative process like? Which moments or tracks on the album do you feel most viscerally connected to, and is there a specific story or behind-the-scenes anecdote attached to one of the songs?

The creative process behind Peridot was as unpredictable as the journey itself. Some records came together effortlessly, while others were shaped by my surroundings, state of mind, and the atmosphere I was immersed in. I’ve never followed a specific formula; I let the production guide me. The best way I can describe it is, “The sounds grab you; it’s up to you to paint your picture.” The album was recorded across Switzerland, Italy, and France, where an unexpected situation at the border led to me being detained……but that’s a story for another time. Other records were created in Brooklyn, including some right in my bedroom. In many ways, Peridot traveled around the world and back, and that journey became part of its identity.

As for the records closest to me, “Enough’s Enough” captures me at my most honest, while the second verse on “Diplomas” was dedicated to a special woman I never found the time to fully express my feelings to. “Selfless,” featuring Plaza, and “Livin’ Like That,” featuring Remy Banks, also represent another side of me. One rooted in maturity, reflection, and the realities we navigate as men. Ultimately, Peridot is more than a collection of songs; it’s a sonic journal documenting my experiences, perspective, and growth as both an artist and a man.

The album is packed with guest features from some of the heaviest MCs in the current NYC underground. How did these collaborations come about? Was there one in particular that caught you off guard—either during the process or in the final result?

Thank you for the recognition. Every feature on Peridot has a story and purpose behind it. I wanted AA Rashid to introduce the album because of his profound understanding of art, philosophy, and life. My brothers Plaza and Rome Streetz were natural choices. Plaza is on the strong up and up as one of the more prominent artists both in hip hop and Latin rap, and Rome is and will continue to be the superstar he is……and in my opinion, one of the best doing it. Being part of the Bad Influenyce family and creating our first record together was an honor, and I’m forever grateful for the ways he’s contributed to my journey. Pyrex P was introduced to me through my brother 183rd, who produced two records on the album, “New Chapter” & “Livin’ Like That”. 

This connection was built on genuine respect, no egos, no funny business, just solid people making solid music. Sauce Heist brought his unmistakable identity and street perspective, while O Dawg’s Brownsville ties and sharp pen made “Bellevue” a perfect fit. Remy Banks was an artist I’d always wanted to work with, and through mutual respect and the right timing, we created a record I’m proud of, produced by 183rd. Teeg Austin and I built our bond overseas on tour and later in California, and that connection naturally translated into music. He’s sharp, composed, street-smart, and serious about his craft, all qualities I respect. Mari Niko, whom I met in California, brought a distinctive sound and delivery to “Seen It All” that made the collaboration click. Ultimately, Peridot wasn’t about stacking names for attention; it was about bringing together genuine relationships, different perspectives, and artists who each bring something unique to the table. In this game, the credits might get you to press play, but the chemistry is what makes you run it back. Everyone involved is and will always be highly appreciated.

For a listener just tapping into your catalog, which two or three of your previous projects should they dive into first to truly understand who Ace SL is, and why?

My catalog and career are both fairly new, so if it had to be honest, I’d say tap into everything from F.M.T.Y all the way up until my latest Peridot album. As mentioned earlier in this interview, I’ve created 4 albums, same as 4 years in High School, from Freshmen to Senior, the music will display this growth. Take the ride, ain’t no skipping the steps here, ha ha.

How did you first cross paths with Rome Streetz, Social Club and the Social Misfit crew, and what was the experience like hitting the road with them across Europe? Is there a standout moment, anecdote, or specific city on that tour that left a lasting impression?

Great question. For starters, I met Rome Streetz far far way from music even being a thought for us. At one time in life I was living a certain way as we all were if you were a money getting young man in the city. Rome and I met through business. Business would put us in some of the same places, around some of the same faces. Aside from business Rome and I had our own wave going in our own groups of people. I met Rome officially around 2010/2011-ish at a party called “Chocolate Sundays” in which my boy and downtown great OJ aka SlutLust and other well known creatives such as Telli and Jah Jah of NinjaSonik, Manolo Rose and Starcity would be in attendance for and also ran to my knowledge, OJ specifically. 

To make a long story short, he had a performance, it was my first time hearing and seeing Rome perform and I knew then and there that he was legit one of them ones aka a Great in the making. After the performance I approached and showed appreciation to Rome for his talent in which we naturally just connected and became cool after. Moments after a cypher jumps off and Rome and I were the last two standing, both lyrically advanced. The respect was given and the acknowledgment was mutual, we now knew each other. After that we kept close but later in life is when all connected perfectly. I honestly didn’t know where our relationship would go, but I’m glad all remained solid til this day. Major Salute to my Brother, from then and on.

Social Club was another genuine relationship gained off common interest and mutual respect. Once connecting with Social Club in Copenhagen, the pieces naturally came together. I always wanted to work with a clothing/lifestyle brand and Social Club granted me this opportunity. From modeling to commercials and so forth I’ve been able to connect with them and also promote the brand in more ways than one. Social Club is on the uprise and I’m standing with them on it. As for Social Misfits, that’s a collective curated by Coach Bombay. He put elite artists together to form a power group in which they all shine separately and together as a unit. Much love to the Social Misfits and may the greatness continue to rise. Lastly, all my times in Europe been a blast with these guys and gals. I honestly have far too many good times to pin them to a set count. But rest assure, there’s always room for a part 2 interview.

When we met during Rome Streetz’s European tour, you mentioned that you’re also a graffiti writer. How did you get into writing? What’s your tag, which crew do you rep, and what does the discipline of graffiti mean to you personally?

Indeed, We all met in Italy to be exact. I had mentioned this due to seeing other rappers who also write being showcased in your magazine. It made me feel connected, in which I figure we’d have this conversation.

I got in writing around 2007, but didn’t take off as an actual writer until 2009-ish. I got into writing through my mans Mar who pushed CAC crew (Can After Can). We both went to the same High School and I remember seeing his tag all over the hallways, I was instantly curious to knowing what it was about. When we linked he basically put me onto game and from there I was off to the races. I didn’t officially take writing serious until I clicked up with guys like Nev1, prior to him I had a lot of influence and direction given to me through the entire WATC, H8T, OTU and CSF teams. All members of those teams played a vital role in my growth. I later linked with my partner Uno, who’s NBT crew captain. I can honestly say after him and I linked it was legit on and popping. The crews I rep are many but my top 4 would go in this order: NBT – Hometeam ABD – Second in Line WD – Upbringing STS – New Age Loyalty.I’m part of and connected with many other teams, strong ones also, but these 4 are where I stand, this is where I made who I am.

The discipline of graffiti is no different than the discipline of life. You must be on point, you must be aware, you must be a step ahead and you must go for yours, FULLY. Just as there’s toys in graffiti you got losers in life, learn how to keep them out your way, eliminate when necessary. I write SLUE, the one and ONLY. like Blue with an “S”. Who dem Slue Dem!, Slue Money Murder, Slue Magoo, Sluecifer, we can do this all day son. They know what this name is about surely.

Tell us more about your style and history as a writer. Is there a memorable mission or action in the streets or in the yards that you can share without burning yourself?

My style is a mix of everything, but to be respectful, a lot of my influence came from artists such as Skuf, Cope2: “throwy wise”, the razor blade styles of Minus and Gigs on straight letters and the outgoing fun fly handstyles from Fresh5 and Few, my style comes from all over the place. But those I mentioned definitely played a strong part in how I do. Many others do but I’ll keep it to basis of the question.

A memorable time for me is when my brother Uno who probably only weighed 150lbs at the time had to physically lift a 320lb Slue off the roof to the shuttle tracks. Another good night was any night my brother Keazy, NepToon and squad just wrecking shit, taking out those trash ass writers, ha ha. I got too many stories man. Beating toys up, taking their paint, bombing til 7am grabbing a bacon egg and cheese as a symbol of a completed mission. I can go on for days kid.

Who are your foundational references in graffiti history, and who’s putting in the realest work in NYC right now? From your perspective, what’s the actual health of the graffiti scene in New York today?

Foundational references for me go as mentioned: Skuf, Kez5, The Entire ACC crew, Foot, JA, Mista, Earsnot, Running Man (Ave), Dek 2dx, Baby 168, Rasta Cia, Host, Bran, Keeps, controversial but also Ader, Raep, Daev21, Smash, BET, Fe, Vfr, Vex, DG, Tetris, Sool, LES, Noxer, Dink, Boner, Pase, Scaf…..it’s a lot of cats that I’d consider foundational references but those are the cats that definitely stood out most for me. It’s honestly too many to name. Cats putting in work who I feel should be mentioned are pretty slim, but definitely Keazy Sts, Flash, Stocker, Time, Rari, I like that kid Sokem too, he’s making his runs and got style. Spesh, Skam, EOK, Zaver, Panic, Seo, just a few to name.

As for the health of graffiti, honestly I can’t really say much, things are advanced now, dudes are repelling off buildings and shit. It’s a different game, most cats nowadays don’t really have style, they just roll deep (power in numbers I guess). I can’t speak much on graffiti now but I absolutely love when someone from my era and before smacks the city up right quick as a reminder shit is still active on this side. That’s what gets me hype, all else is just time moving. 

Lastly, RIP my brothers ZEXOR, CAE4, BAK, ZNO, VATO, MAGIC, and all the good brothers I missed, forever in my heart, always at mind.

In both your music and your stage presence, there’s an undeniable raw NYC essence and a deep connection to Hip-Hop fundamentals. How do you feel the mindset and attitude of being a writer bleeds into your style as an MC?

If I’m being real, the mindset is purely HIP HOP, I AM HIP HOP. I am an MC, I bomb, I DJ, my knowledge to all this is superior, the only thing I don’t do is breakdance but I definitely respect it to the fullest, especially myself being Indigenous, (Latino or Hispanic to some). The mindset is hip hop, I understand your question but at the end of the day for me, I’m just working to maintain my part and playing my role to the fullest and realest point. That alone is what gives the world this undeniable raw NYC essence. It’s a mix of greatness all in one.

There’s been a massive debate in the graffiti community over comments made by a BK mogul like Jay-Z in his interview with Rick Rubin, where he claimed something like that Hip-Hop culture now belongs almost exclusively to Rap and that graffiti detached itself from the movement a long time ago. Did you catch that controversial take? To us—and many others in the underground—graffiti is actually where the true codes, grit, and original attitude of Hip-Hop are most authentically preserved. Where do you stand on this? Has that connection truly been severed?

Everyone is entitled to their opinion, some will agree as to where others will disagree. My take on all this is that as long as I have breath in my lungs and influence on people, Graffiti will ALWAYS be apart of Hip Hop. And this is MY OPINION, if that clears the air on any bogus questions a heckler can produce. Respectfully.

What’s next for you? Can you tease us something?

Next for me is simple: more music, more videos, more shows, more merch, more fans, more notoriety, more spins, more streams, more features, more growth, more greatness, more reality, more dedication, more gains, more success, more happiness within myself and my loved ones, more stretch and a motherfucking whole shit ton of Money. Ace SL to the Sky and Beyond, get familiar. As KRS-ONE said: We only getting better and only better we have gotten. Believe that!